Seriously. Every form of entertainment has baked-in political assumptions, and that definitely includes #ttrpg . You might choose not to examine them, but this is an active choice on your part, and you don’t get to pretend that your entertainment is “free of politics”.
No, I’m not. Because my mental development moved past three years old and I’m able to differentiate reality from fiction. Do you also believe that Super Mario players advocate for animal cruelty towards turtles?
Have you taken any literature or maybe other media classes at the 200 level?
Sometimes people say really weird things and I wonder if they just don’t know any better. Maybe they’re a teenager.
But like “fact from fiction” is irrelevant here. No one’s saying Dracula is non-fiction, but you can still read it and take meaning from the text. Furthermore, it’s not just a story about a guy who bites people. The read on how women are expected to behave is pretty obvious, for example.
You don’t have to care about the subtext of “kill all the goblins and take their stuff”, but saying there is no subtext or “no one cares” is absurd and self-centered.
That’s an interesting point you make and I partly agree. There are certain undertones and sometimes you can create a better story by engaging these undertones and creating a monster in noble clothing and a metaphor for the societal corset women are forced ro wear.
But other times I just want to enjoy a trash movie or 15$ airport library book. And the undertones there are purely accidental and shouldn’t be taken too seriously.
Both forms of entertainment serve their purpose and you can insist on pointing out the political statements and societal undertones in a cheap slasher movie. but that doesn’t make you smart or enlightened. It just makes you an ass who enjoys shitting on other people’s lighthearted entertainment.
And one last note: “‘fact from fiction’ is irrelevant here”. No, it’s not. If someone accuses me of encouraging mindless slaughter of people based on some mindless dungeon crawling, then it does matter. Because that’s exactly the idiotic killer games argument of the early 2000s that has been disproved 100s of times! Killing goblins in a ttrpg has absolutely nothing to do with any moral standpoints I hold outside of the game and only an idiot would believe otherwise!
Well, I’m glad we’re approaching some common ground.
No one here is making the argument that you’re seriously “encouraging mindless slaughter of people based on some regular dungeon crawling”. No one’s saying you’re, like, recommending people go out and do that in real life. The argument is there is a message, even if it’s unintentional.
There’s little wrong with enjoying a trash movie, but
Why? What authority says subtext shouldn’t be taken seriously?
There’s a lot of rich material for analysis, for talking about what our society values among other things, by looking at the messages in pop culture. Imagine two societies. In one, all their pop culture and trashy airport novels are about murder and plunder. In the other, they’re about cooperation and building a better world together. Do you think that would mean anything? Do you think you could infer anything at all from that? It says something that we’re cool with “then I killed him and took his stuff! Rock on!”. We’ve all played that kind of game, but if you think about it that’s a horrible story.
Surely there are stories that would be on the far side of the line for you. “I killed the men and enslaved the women! Look at all these points the game gave me!” would probably make most people uncomfortable. Why is the line there, but murder is fine? Does the placement of that line mean anything?
And again, this doesn’t mean you can’t play a beer-and-pretzels half-brained game about tactics, strategy, and extermination. But to wave your hands in the air and say it doesn’t mean anything is absurd.
[email protected] Yeah, the ideas that “I’m not interested in receiving a message, therefore the things I consume have no message” or “this product was inexpensive, therefore the creator has no message” are pretty wild.
Sometimes the politics being presented are invisible to the author, and sometimes they’re not. In either case, they’re communicating real messages about the world, what the creator believes is acceptable, and what they believe is not. Not seeing those messages really just means that you thoughtlessly agree with them.
Which says more about the consumer than it does the producer.
I mean the statement is being made within the universe. Super Mario does advocate for violence against koopas. You don’t have to examine it, but that doesn’t make it apolitical.